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A few weeks ago, a friend of mine found out that a childhood classmate had died unexpectedly. They hadn’t stayed in touch, but he was sad and curious about what had happened, so he did what people do when they hear that someone they know has passed away: Googled her obituary. What he found was odd—so much so that he texted to ask if I’d ever heard of such a thing. Along with pages hosting her official obit, he saw 10 separate YouTube videos of different people casually reciting information about her death.
He’s now part of a group united by an unsettling but increasingly commonplace experience. People who lose somebody, whether it’s a dearly cherished family member or a long-lost acquaintance, must now navigate a slimy cottage industry of profiteers trying to hijack their attention. Instead of finding important funeral details or where to write a remembrance or send flowers, they are confronted by a flood of low-budget videos crudely summarizing the death notices of the person they’ve lost.
Obituary pirating, where people scrape and republish obituaries from funeral homes and websites like Legacy.com, has been an ethically dubious business for years. Piracy websites are often skilled enough at search engine optimization to rise to the top of search results, and they use the resulting traffic to charge a premium for digital ads that appear next to text lifted wholesale from funeral homes, local newspapers, and other authorized obituary publishers. Occasionally, these pirate sites go a step further, manipulating bereaved people into buying sympathy gifts like candles or flowers and pocketing the money.
The flood of YouTube obituary videos is a janky update on this practice. Some of these channels upload dozens of death notice summaries every hour, abandoning any pretense of looking like an official source of information in an effort to churn out as many videos as they can.
Although text-based obituary pirating has been a scourge on the industry for years, these videos are a more recent phenomenon. “This is a new one for me,” says Jessica Koth, director of public relations for the National Funeral Directors Association. “These videos are not sanctioned or authorized by the funeral home or family of the person who died. I would imagine they would be quite upsetting to the families involved.”
Unhappy posts about the practice abound on Reddit, where for the past few years people have complained about how tasteless it is and wondered why it is happening and whether they can do anything to stop it. “These people are monetizing our loved ones’ deaths,” says one such message.
“It’s predatory toward people who are heavily grieving,” says another. “If there’s nothing that can be done about this, that’s extremely sad.”
The more prolific channels upload new videos every few minutes. Many look nearly identical and feature men sitting alone and speaking directly to the camera. They often appear to be lounging at home. (It’s hard to verify exactly where they are; I reached out to the proprietors of several accounts, but none responded.) Others narrate obituaries over corny slideshows of candles and photos of the deceased sourced from social media. Their subscriber numbers are modest, making it all even more puzzling; on the higher end, channels will have a few thousand subscribers and millions of overall views. The highest follower count I found was slightly over 26,000; the page with the highest views had a grand total of around 1.7 million.
Sometimes these obituary YouTubers promote products in the video description, like a $225 vitamin C cream for sale on Amazon. Sometimes they just list strings of SEO-baiting keywords, like “death,” “cause of death,” “die,” “RIP,” and “what happened.” While each channel differs from the next in small ways, there’s a unifying aesthetic—everything looks rushed and careless, and there’s no hint of emotion or acknowledgement that they’re discussing someone’s greatest tragedy.
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“The audio is crappy, they’ve got fans on,” funeral marketing consultant Robin Heppell says. “It’s not professionally done.”
That’s because the business model focuses on quantity over quality. Many of the videos have no views at all; when they do, they rarely crack double digits. The success or failure of individual videos isn’t important, as long as they accumulate enough views in the aggregate.
Despite their shoddiness, the obituary YouTube channels are sometimes amassing enough followers and views to meet YouTube’s Partner Program requirements and start making money off advertisements. (YouTube did not respond to requests for comment.)
Some of these YouTubers openly describe their projects as money-making ventures, like Quoddos Taunsvi, a Pakistan-based vlogger who brags that following his videos will bring riches: “surely you will earn thounsands $ [sic] per month.” Others make glancing attempts to defend what they do. One channel includes a disclaimer about how its videos are protected by the fair use doctrine. According to intellectual property lawyer Bhamati Viswanathan, this is likely true. “Bummer for the families, but I don’t see what they could do other than appeal to the creators on grounds of taste, sensitivity, basic kindness,” she says.
The obituary pirates aren’t the only group explicitly trying to ramp up engagement on death-announcement content. Editor & Publisher magazine, for example, hosted a webinar last year called “Optimizing obituaries to drive traffic and increase revenue.” Newspapers take out targeted ads on Facebook specifically to draw more eyes to obituaries. But if local papers presumably have the community’s interests in mind when they share death notices, those reading obits on YouTube seem to be in it solely for the clicks.
While some YouTubers exclusively post obituary content, others intersperse obituary readings with summaries of other news. One of these channels, Event Click, recently posted photos of an orangutan throwing a possum from its enclosure in Australia’s Perth Zoo. “I would presume it did not survive the fall,” says a robotic voice narrating the video. Before I could watch that video, I had to watch an ad from Etsy. (WIRED reached out to several companies whose ads appeared before obituary videos for comment, including BetterHelp, 1-800-Flowers, and Etsy. As of this writing, none have responded.)
Anjali Bal, a marketing professor at Babson College in Massachusetts, finds these videos “morbid and weird” and views the business strategy as ultimately short-sighted. They play on a surge of interest in keywords related to recent deaths, pumping out low-effort content in an attempt to capitalize on this temporary flow of web traffic. “In the short term it boosts the page,” she says. “In the long term these things are uncomfortable for the consumer and will not lead to long-term engagement.”
This genre, while bizarre, does have analogs, albeit ones that seem far more aligned with the public interest. Short-form video is an increasingly central source of news, including videos that repackage original reporting from elsewhere for viewers with shorter attention spans. This isn’t always a bad thing; a TikToker named Kelsey Russell, for instance, has gained an audience by recapping pieces from The New York Times for a younger generation. While the YouTube obituary videos lack Russell’s panache or thoughtfulness, the most generous reading is that they too recap information that audiences are seeking out in an easily-digestible form.
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The rise of this type of video is also directly connected to a broad and enduring cultural fascination with mortality. Obituaries are big business because people are captivated by death; this is one reason serial-killer content has turned into such a reliably popular genre. “Reading obituaries seems like a budget version of the true crime format,” says Josh Cohen, founder of the creator-economy news website TubeFilter. As Cohen points out, YouTube is filled with people copying what works. “There’s tons of knockoffs,” he says.
In the past, obituary pirates have been punished for their misdeeds. In 2019, for example, a Canadian website called Afterlife that scraped and republished obituaries was ordered to pay $20 million (CDN) in restitution to grieving families. In that case, the class action plaintiffs successfully argued that lifting the obituaries and accompanying photos they’d put online to honor their loved ones was copyright infringement. But in more recent examples, the YouTuber obituary pirates tend to summarize information they’ve found online, rather than repeating it verbatim. While distasteful, it’s not illegal to callously recount the details of other people’s misfortune. (If it were, several prominent true-crime podcasters would certainly be in jail.)
It seems unlikely that this trend will die down as long as there’s money to be made, even if it’s a modest sum—and the rise of AI tools may make the situation even more infuriating. Last week, Microsoft’s MSN news site was roundly castigated for an incoherent and oddly hostile obituary for former NBA player Brandon Hunter; critics assumed the garbled article was written by AI, as the company had laid off human staffers in favor of algorithmically generated content three years earlier. (Microsoft never confirmed whether the offending story was AI-generated, but it was removed nonetheless.)
My friend’s experience struck him as strange and crass enough to ask a tech reporter—me—if I’d ever heard of it. But what is viewed as creepy now may look quaint in the future. Considering how the obituary pirates on YouTube prioritize speed and volume above coherence and dignity, it’d be more surprising if they didn’t embrace artificial intelligence in their quest to profit off curiosity and heartache.
